This Rubik’s Cube mosaic reconstructs a historical abstract composition through a strictly rule-based system.

From the front, the image appears ordered and precise; from the side, the individual cubes reveal internal disorder and chromatic fragmentation.

The absence of black is resolved through blue, subtly altering the original balance and introducing new visual tension.
Small chromatic deviations emerge as a consequence of the material itself, emphasizing the physical nature of the work and the limits of translation.